|Posted on February 18, 2016 at 5:05 AM||comments (0)|
Sister Rosetta Tharpe was an American gospel singer, songwriter, guitarist and recording artist. Born on a cotton plantation in 1915, she became gospel music's first great recording star. Known as "the godmother of rock and roll" She was an early influence on, Johnny Cash, Chuck Berry, Elvis Presley, Led Zeppelin and the Rolling Stones. Her career peaked in the 1940s.
By the 1964 her career was in decline, she was broke, and in poor health. But when Mick Jagger cited her as a seminal influence, Granada TV decided to bring her to Manchester to record a TV show. As far as I know, Sister Rosetta never kept a diary, but if she had, this is how she might have recollected that trip:
Didn't it Rain
Oh my dear lord I never thought I would go to England. But Granada said they would pay all the expenses and organise the flights. But first of all I had to get a passport. That was harder than you think, because to get a passport you need a birth certificate, and like lots of children who were born on plantations at that time, my Mom never got around to getting me one. But the church intervened with the state department, and they persuaded Johnny Cash to write a letter of support to State. Johnny's from Arkansas like me, and his mom and dad were dirt poor too; he knows how fortunate he's been and likes to give others a helping hand. God bless him.
So my passport arrived and my agent got in touch with Granada. Thy advanced me the money to buy a new Gibson guitar, and a few days later we flew to overnight from Idlewild to Manchester. I say Idlewild but it's been renamed John F Kennedy, did you know that? His poor family. I still miss him and I'm sure you do. I'd never been on such a long flight before, and I was worried that the change of time zones would cause my diabetes to flare up. But I was fine, if a little tired for the first few days.
In Manchester the immigration people, the hotel staff and all the people we met at Granada were so polite and welcoming, we were treated quite differently to the way that colored folks are spoken to by officials here. But the accents! Some of them were so hard to understand! But I got used to it, you have to don't you?
Manchester is a big city, about the size of Chicago. All the buildings there are jet black. Covered in soot from the mill chimneys. This place is where all the cotton that my Mom and Dad picked was sent to be processed. To spin cotton you need a damp climate and oh my lord they found the right place there. It didn't stop raining from the day we arrived until the day we left. And it was supposed to be Spring!
And I was told that I'd be singing in the open air, in a disused railway station can you believe it? The audience would be sitting on one platform and we would be performing on the other one, that had been done up like a sharecropper shack. Or perhaps I should say that it had been done up like what a scene builder in Manchester thinks a sharecropper shack looks like. There sure were no wanted posters next to the front door of our shack in Arkansas but there were here.
So I had no decision to make about what my opening number should be. I've been singing "Didn't it Rain" in Church since I was six years old, and this must have been the place that the old negro spiritual singers had in mind:
Oh it rained forty days
And it rained forty nights
There was no land nowhere in sight
God send the angel to spread the news
He haste his wings and away he flew
To the East to the West
To the North to the South
All day all night how it rained how it rained
Cousin Joe Pleasence and I arrived on the platform in an open-top carriage pulled by a black and white horse. I was wearing a thick woollen overcoat that I'd bought the day before. The audience was nearly all young white folks - can you believe that? - and they were huddled together wearing raincoats. The applause as Cousin Joe helped me down from the carriage was so loud that it could have come from a much larger crowd. When I watched the film recording I released that as I stepped down I said "This is the most wonderful time of my life." It sure was. I'm too ill to travel now, and I'll probably only ever get that one stamp in my passport, but I'd love to go back to Manchester if I get well enough.
See and hear Sister Rosetta Tharp sing "Didn't it Rain" at Wilbraham Road Station, Manchester here:
|Posted on October 8, 2015 at 9:30 AM||comments (3)|
Before there were supermarkets there were corner shops and counter-service grocery chains.
When I was a kid we lived just across the road from Mrs Scott's corner shop that sold all manner of tinned and packeted foods and household items, as well as butter, cheese and ham, fresh vegetables, a little fruit, sacks of firewood and Coalite ( a kind of smokeless coal I think, but it wouldn't meet today's definition of "smokeless"). The shop was a converted terraced house, and the fruit and veg was kept outside the shop on a market stall in what would have been the front garden. To get the coal and firewood you had to go round the back to the shed. The shop kept three people employed six and a half days a week; from dawn to dusk every day except Sunday when she shut the shop at 1pm. Mrs Scott was a woman in her sixties or perhaps her seventies when I was a teenager. She did not have a first name as far as I know. She was just Mrs Scott, a respected figure to the whole neighbourhood.
Working alongside here were her forty-something daughter and son-in-law, Annie and Ronnie. As late as 1980 Annie still had the most enormous beehive hairstyle that was fashionable in the early sixties. She hadn't noticed that fashion had moved on, probably because she worked such long hours in the shop that she never had time to observe. Ronnie's hairstyle was a Bobby Charlton style comb-over.
Lots of people who lived near us in Upper Edmonton would do all their shopping at Mrs Scott's, probably on tick. She would get anything anyone wanted; I've seen people carrying out TVs and Radios from that little shop. Mrs Scott didn't sell booze though, because the kind of affluent working class people who had a padded vinyl cocktail cabinet in their front room got it the Off-licence counter at the Rising Sun; and she didn't sell milk because everyone got it from the milkman.
We only used Mrs Scott's shop for top-ups. My Mum would have been appalled at the idea of buying food on tick, the shop was a little expensive, but most of all it wasn't accessible to my Mum's hand-propelled invalid chair. She needed to shop somewhere where she could see what she was buying, and on the main street, Fore Street Edmonton, there were the counter-service chains - The Home and Colonial Stores, The Maypole Dairy and Caters. Edmonton wasn't posh enough for Sainsbury's.
In the early sixties The Maypole didn't even have a fridge, When I used to walk past it on the way to school when I was eleven, there was a huge lorry outside delivering great big blocks of ice. They must have weighed tons. I will always remember the ice company's name on the side of the truck, which was:
The United Carlo Gatti, Stevenson, Slaters & Co. Ice Merchants
Yes, it was a very long truck, and apparently the London Canal Museum is now housed in what was Carlo Gatti's ice house in Islington.
Caters was the biggest grocery shop on Fore Street, and I worked there as a Saturday boy for about three years until I left school in 1966. I earned twenty five shillings a week. Cater Brothers was an old established family -run chain of stores with its roots in the East End that had, by the 1960s expanded northwards towards Enfield and beyond. The branch where I worked in Fore Street had seven counters. There were three wooden ones for tinned and packeted groceries, another wooden one for biscuits, which were sold loose and weighed out for each purchase. On the other side of the shop were three marble counters; one each for bacon and sausages (Caters were very proud of their bacon that they used to cure and smoke themselves), one for ham and cooked meats, and finally, by the back door, one for eggs butter and cheese.
Each new Saturday boy or Saturday girl started by filling the shelves behind the dry goods counter. If you were any good you got promoted to the biscuit counter where you would handle a till and scales for the first time, then to the dry goods tills, and then to one of the other counters where you would learn how to cut cheese, ham, and if you were a boy and if you mastered all those skills you would be taught how to operate a bacon slicer. Girls weren't allowed to do that, of course, as they couldn't be expected to lift a whole side of bacon. At least, that's what the firm said. I did learn how to operate this machine, and I'm actually quite proud that I acquired that manual skill - and it really is a skill - when I was about fifteen or sixteen.
To my disgust, when I was seventeen, health and safety legislation was passed. You had to be eighteen or older to operate the slicer. I had to go and work on the cheese counter for my final year at Caters.
The range of food we sold was, by today's standards very restricted. Before the UK joined what was then called the European Common Market, most fresh food was imported from the Commonwealth. We sold five types of cheddar; Australian (tasted like soap), New Zealand (mild), English (strong), Scottish (stronger still) and Canadian ( strong enough to clear your sinuses); as well as just three "continental" cheeses, Edam, Gorgonzola and Danish Blue. New Zealand cheddar was our biggest seller by a mile; I seem to remember that it cost three shillings and four pence (about 17p) per pound but I could be wrong. People used to shop little and often, the biggest selling items were a quarter pound block of cheddar and a quarter of gammon ham. Half a pound was a rarity, a whole pound was unheard of.
My cheese counter working day started half an hour before the shop opened, when I would get a fifty pound bock of Scottish cheddar out of a walk-in fridge at the back of the shop, put it on a marble bench and cut it into 20 half pound blocks and the remainder into quarters. I can still cut exactly one quarter pound of cheese by eye today. The day ended with putting the unsold food back into the fridges, spreading sawdust on the floor and sweeping it, before queuing up at the cash office for a brown envelope containing twenty-five shillings less a deduction of a few pennies for National Insurance. As I walked the few hundred yards home I must have reeked of cheese. The smell was so strong that I couldn't eat anything, let alone go out for a Saturday night without having a bath beforehand.
I worked at Caters full-time in many of my school holidays; I would get over Five pounds a week for that. If I was working in the week then one of my jobs would be to answer the doorbell at the goods entrance. Every Monday at about 11am John Knight & Sons would ring the bell to collect a week's supply of discarded bacon bones, skin and gristle that had been thrown into a huge metal bin at the far end of the warehouse. In summer time, the vat was hot and fermenting by the time it was collected.
So, who were John Knight & Sons and why did they want our bacon bones?
John Knight's were the makers of Knight's Castille soap. And a traditional soap making recipe just needs animal fats, wood-ash and something else that smells a lot nicer than wood ash and animal fats.
This is Caters branch on Edmonton Green. I haven't been able to find a picture of the Fore Street branch
|Posted on September 14, 2015 at 6:40 PM||comments (0)|
In "Live Eels and Grand Pianos" there's a chapter about my Auntie Floss and her companion Auntie Nellie. I tried at the time to get pictures of them in their Salvation Army uniforms, but failed. Enfield Archives have now unearthed this picture from 1946.
Nellie is fifth from the left in the front row, Floss is seventh from left. Really glad to have found this picture as Floss and Nellie's membership of the Salvation Army really defined them.
|Posted on July 21, 2015 at 5:25 AM||comments (0)|
Every year, an estimated 3,000 children are removed from disabled couples in the UK by Childrens' Services. "Don't Take my Baby", first shown on BBC Three on July 20 2015, dramatises the story of one couple, Tom and Anna, as they set about the task of proving that they can be capable parents.
Tom (Adam Long) is partially sighted, as a result of an unnamed condition that he has inherited from his father, and Anna (Ruth Madeley) has a congenital muscle wasting disease. When she was two her parents were told she had two years to live, and now she still has two years to live. There is a chance that Dani (their baby daughter) could inherit one or both of her parents' conditions.
The play begins with Anna recording a video message for her infant daughter. We're not clear whether she's recording this message because she fears that Dani will be adopted against her parents' wishes, or because she fears that she will die before Dani has laid down any memories of her mother.
Video recordings are a common theme in Jack Thorne's script. We see Anna updating this message, we see Anna and Tom, as well as Tom's parents and Anna's mother being interviewed on camera by social worker Belinda (Wunmi Mosaku); as well as Tom and Anna being filmed by childrens' services while they learn how to care for their baby daughter. The whole process feels very intrusive and big brotherish. We wince when the well-meaning grandparents give honest replies to Belinda's questions that we think may not be entirely helpful to Tom and Anna's case. We share Tom's rage when Belinda calls at all hours of day and night to assess his capabilities as both Dani's and Anna's main carer. We wonder if he will go off the rails.
Anna's mum initially seems very distant from the couple, but we learn why. She was a single mum who brought up a severely disabled daughter who she was told would never survive infancy. When she heard of the pregnancy her first thought was that the act of giving birth would kill Anna.
But Tom doesn't go off the rails, and the couple convince an initially sceptical Belinda that they can, with the right support, nurture and care for their daughter.
My reasons for reviewing this drama is that sixty six years ago I was born the son of two seriously disabled people. My parents, Kathy and Charlie Bradford, had caught the polio virus as children, and I've told their story in my family memoir, "Live Eels and Grand Pianos".
So how is Tom and Anna's story different to Kathy and Charlie's almost seventy years old story? Kathy's mum, just like Anna's mum, was concerned that the act of childbirth could do her harm, she too took time to come to terms with her daughter's pregnancy. The topic of disabled people raising a family was newsworthy then, as it is now. Our family was extraordinary enough to be written about in The People and the Sunday Express.
Looking back, there is never a time in my childhood when there were no social workers around , but they were supportive, never judgemental. Mainly they organised assistance such as the twice weekly visits form the home help service who helped Kathy with housework, t It was a simpler age, and Charlie and Kathy and the young me never had the level of intrusion into their lives that Tom and Anna, and others like them, have today.
I understand why this level of intrusion is necessary but I'm really glad that it wasn't there when I was growing up and earlier, when my parents decided that they wanted to have a family. As Tom says in the drama "other dads with faults get to have a go, don’t they?”
|Posted on March 15, 2015 at 8:20 AM||comments (0)|
If you are in any doubt about the value of vaccinating children watch http://bit.ly/1CiqFfIan You can also listen to this Canadian Radio Interview with Kathryn Harper, who caught Polio in the early 1950s: http://www.cbc.ca/player/Radio/Local+Shows/Manitoba/ID/2659260259/
|Posted on January 8, 2015 at 9:40 AM||comments (0)|
My name is Jeremy Bentham and for most of the past one hundred and eighty three years my skeleton has sat in a corridor in central London. It doesn't look like a skeleton because it's dressed in my clothes which are padded out with straw. You should come and see it, all you have to do is to come to University College London during normal business hours, and ask for me by name. The people on reception know me well. I usually sit at the end of the South Cloisters, except when there's a meeting of the College Council. On meeting dates my skeleton is solemnly wheeled into the Council Room to take its place among the present-day members. Its presence is always recorded in the minutes with the words Jeremy Bentham - present but not voting. That's what the legend says anyway. You can decide for yourself whether it's true or not. Just don't believe everything you read on the internet.
I should warn you though, that you can't see my real head. It's not what I intended when in 1832 I left my body to what was then the Webb Street School of Anatomy & Medicine, but back then people in London weren't very good at mummification. They tried to copy the process of desiccation, as practiced by the Maoris, but it went disastrously wrong, robbing my head of most of its facial expression, and leaving it decidedly unattractive - so they had to make a false one.
For over a hundred years they kept my badly mummified skull by my feet in the same cabinet as the rest of me, but by the 1950s student rag weeks became the fashion, and at least once each year my real head was stolen from the cabinet and paraded through the streets and tossed about by people wearing duffle coats, CND badges and college scarves. The University took a dim view of this, so nowadays my real head is locked away in a secret place and only ever brought out for research purposes. Even I don't know where my head is now. And I'm a philosopher!
You've probably noticed that I refer to my skeleton in the third person, so I think that it is safe to assume that this is my soul talking, not my mortal remains, although the separation of body and soul was never my area of scholarship. My contributions to the great debates of my period ranged from legal and penal reform, the rooting out of corruption in the London Docks, and above all to the concept of Utilitarianism, which can be summarised by the statement that "the greatest happiness of the greatest number, is the measure of right and wrong".
I was the first philosopher to suggest that there might be a concept of "animal rights" and one of the first thinkers to suggest that man and woman are created equal. My essay "Offences Against One's Self", which was never published in my lifetime, argued for the liberalisation of laws prohibiting homosexual acts.
Some people said I was a bit paranoid. I complained that my ideas for penal reform were thwarted by the King and an aristocratic elite acting in their own interests. But I look at what the students here put on Twitter today, and many of them are making the same claims today, so was I wrong? And have things improved?
University College London acknowledges me as its inspiration, which is why my remains are on display here. Prior to UCL's foundation, only members of the Church of England were eligible to go to university. UCL was the first English university to admit all, regardless of race, creed, colour, political belief or ability to pay.
But the title of this piece is A Skeleton in the Cupboard and I nearly forgot to tell you about the cupboard. It's more of a display cabinet really, and it - and I - are collectively called the auto-icon. I sit on a stool in this mahogany and glass cabinet wearing my own clothes, and some of my smaller personal possessions are laid out on a small table so that I can see them. Beneath my stool (you can't see them) are a lot of scientific instruments that control the auto-icon's temperature and humidity. The cabinet is on castors, so that it could - if my vote were ever needed - be moved into the council chamber quite easily.
I died when I was eighty four in 1832, and I never married. I fell in love many times but my love was never reciprocated. Frankly I was just not good with girls - according to one of my biographers I made passes at hundreds of society beauties at country houses but they found me a bit strange - too obsessive and paranoid. So in my will I left my body for dissection, together with detailed instructions about how to preserve my remains in the auto-icon as well as £100 to this University which has taken good care of me since 1850.
I do love to get visitors, so if you're in Bloomsbury come and see me. And I love to read your thoughts about the things I cared about -penal reform, justice, equality, inclusivity, transparency and animal experiments. You can tell me about your visit on Twitter using my twitter name @jeremybentham32, but I'm not on Facebook. If you're a member of a creative writing group you can share a story about me with others. I've really enjoyed talking to you.
|Posted on December 29, 2014 at 7:40 AM||comments (0)|
In 2006, when I was fifty-seven, I was made redundant. I wanted to find some constructive things to do while I looked for another job, and I heard that Richard was looking for people to read to him.
Richard was married to Ruth and they lived just a few miles from us, in Broxbourne. I had got to know Richard and Ruth through Marilyn, my wife. Both Marilyn and Ruth are artists who had co-operated in joint selling exhibitions from their respective homes. Both families had grown-up daughters of a similar age.
Richard was a biochemist. Originally an academic at Southampton University, he and Ruth had moved to Broxbourne in the 1980s when Richard joined the research team at Merck Sharpe and Dohme. Shortly after Richard joined Merck he was diagnosed with Multiple Sclerosis. The disease attacked Richard's central nervous system particularly aggressively; by the time that I was made redundant Richard had recently had to retire as by now MS had robbed him of the use of his legs and had also affected his eyesight, which is why he was looking for volunteer readers.
For the next six years I visited Richard and Ruth's house almost every Wednesday evening and read with Richard. We read about twenty-five books in that time, including works of fiction, biography, science, economics, politics and current affairs, history and travel. Some of the individual books were chosen by Richard, I suggested others. We read hardbacks, paperbacks, e-books, books we'd bought and books we'd borrowed.
The first book that I read was Richard Dawkins' The Ancestors Tale, a natural choice for a biochemist but not a book that would ever have made its own way on to my reading list without his help. But Dawkins deals with complex biological and genetic concepts in a very accessible, and very literary way. He borrows the structure of Chaucer's Canterbury Tales, structuring the narrative as a pilgrimage, with all modern animals following their own path through history to the origin of life. Humans meet their evolutionary cousins at rendezvous points along the way, the points at which the lineage diverged. I enjoyed The Ancestors Tale a lot, much to my surprise I decided that I liked reading science literature.
Ruth loves cooking and gardening and she's very good at both. She wasn't always at home when I was there, as she's a chorister and often I would be reading with Richard while she was at choir practice. But if she was there she would keep me supplied with delicious homemade cakes or fruit pies that she'd made from her own garden produce.
The next two books that we read were Bill Brysons' The Thunderbolt Kid and A Short History of Nearly Everything. Bryson, we discovered, was already a firm favourite of both of us, and so was Alan Bennett. We shared Bennett's Untold Stories in the autumn of 2008.
I introduced Richard to Paul Torday. The first Torday we read was Salmon Fishing in the Yemen, and we quickly followed that with The Irresistible Inheritance of Wilberforce. Wilberforce is a computer geek who starts, and then sells a multi-million pound software company. After the sale, he no longer has anything to occupy his time until he discovers fine wine. He is now a fully-fledged wine nerd. He has no other interests; wine has absorbed his entire life. Torday tells the story in four sections, each describing a different year, but in reverse chronology. The book begins in the year Wilberforce dies. He staggers around Mayfair, drinking 250 units of alcohol every week, and hallucinating. He spends six grand on two bottles of 1982 Petrus in a Michelin 5 star restaurant and drinks them alone at a table, then gets thrown out when he starts abusing the other diners.
This section really is very funny, in a tragic way. And when you' re reading aloud, your eye is about twenty or words ahead of the words that are coming out of your mouth. This meant that while I was reading about this incident I started to laugh, before Richard knew why I was laughing. But we'd both been laughing together earlier in the Chapter, both of us "got" Torday's sense of humour, and Richard trusted me enough to start laughing a split second before he knew exactly what he was laughing at. Paul Torday didn't let him down though. Richard was a big man, very tall and if his muscles hadn't started to waste because of MS, he would have been very muscular. He had a loud, deep throated laugh which got even louder when my speech finally caught up with my eyes and brain and we both dissolved into even bigger fits of laughter. The only resident of the house who didn't find it funny was the cat, who was asleep on Richard's lap. The cat woke up, gave us both a withering look and went into the next room to get some peace and quiet. This is my favourite memory of Richard, and it's why I say that I read with Richard, not to him.
As well as the twenty-odd books that we finished, there were a few that we gave up on. We'd both thoroughly enjoyed Terry Pratchett's Going Postal. Neither of us had read Pratchett before, and somebody had recommended this book to Richard. We both found it a very funny, very clever satire about global corporations, human rights and the excesses of the market economy. Enthused, we tried to read Pratchett's later novel Unseen Academicals, but neither of us could finish it. I think the problem is that there is such a large cast of characters, and if you're only reading the book once a week, you find it difficult to remember which characters you've met before and which you haven't. Another failure was Mark Haddon's The Red House. This book has a large number of very short chapters and sections of chapters, each written from the point of view of a different character, and I found it too difficult to convey these point of view changes to Richard while reading aloud. I subsequently finished it on my own.
Richard died in January 2013, almost two years ago, after a long series of critical illnesses and hospital stays caused by the progression of MS, and I still miss my visits to him and Ruth. During that six years both his and my elder daughter married, and both of our younger daughters graduated and began their careers. A lot of good things happened in parallel in both of our lives. Sometimes I'm browsing in a bookshop and I pick something up and think "Richard would like that". Then I usually, but not always, put it down again.
|Posted on December 19, 2014 at 7:40 AM||comments (1)|
To: Mr Justice Spencer
C/o the Registrar of Criminal Appeals
Royal Courts of Justice
London WC2A 2LL
18th December 2014
From: Andrew Bradford
Dear Mr Spencer,
The Trial of three security guards accused of the manslaughter of Jimmy Mubenga
I am a 66 year old retired banker who has never before thought it necessary to write to a judge. However I feel so strongly about the ruling you gave that the evidence of "racist texts" sent or received by at least one of the defendants was "inadmissible" that I wanted you to know that I feel that you may have presided over a serious miscarriage of justice.
After Mr Mubenga's inquest, the Coroner wrote:
“It seems unlikely that endemic racism would not impact at all on service provision. It was not possible to explore at the Inquest the true extent of racist opinion or tolerance amongst DCOs [Detainee Custody Officers] or more widely. However, there was enough evidence to cause real concern, particularly at the possibility that such racism might find reflection in race-based antipathy towards detainees and deportees and that in turn might manifest itself in inappropriate treatment of them.”
In view of the Coroner's remarks, I think that the Jury had the right to hear this evidence. What is the point of having a jury at all if you don't give them all the facts of the case to consider? To unilaterally decide that the Jury hearing about the racist material would “release an unpredictable cloud of prejudice” in the jury is patronising and condescending and doesn't lead to fair trials.
I have no connection with any organised campaign on behalf of the Mubenga family or any other deportees. I am just a concerned citizen who thinks that your ruling was plain wrong and that justice has therefore not been done.
This is an open letter, I have posted it to my Twitter account. I would have emailed it to you so that you could see it before Twitter got hold of it, but nobody at the Royal Courts of Justice would give me your e-mail address.
|Posted on October 28, 2014 at 8:30 AM||comments (0)|
I've just been reading one of the many Wikipedia entries about Roosevelt. This one, entitled "Franklin D. Roosevelt's paralytic illness" casts doubt about whether the president actually had Polio, or whether he may instead have had Guillain–Barré Syndrome, a very rare neurological disorder that also causes paralysis.
This theory was put forward by five medical researchers at the University of Texas in 2003. They used statistical techniques to correlate the various symptoms observed during the early onset of the illness (some of which are common between both illnesses and some which are unique to one or other of them) with the annual number of reported cases of both illnesses in 1921. Of course, to classify the symptoms they had to rely on eighty year old physicians' notes that needed contemporary interpretation, and could no longer be clarified, since both the note writers and the patient were long dead. They came to the conclusion that " six of eight posterior probabilities favoured a diagnosis of Guillain–Barré syndrome." I am not a statistician, but I think that in layman's terms this means that they were 75% confident that he had Guillain-Barre and only 25% confident that he had Polio.
What these researchers did may be a valid form of medical research, but I can't help thinking that postulating such a theory diminishes the humanity of the man himself. The important facts to me are:
• Roosevelt was told he had Polio and thought of himself as a Polio survivor.
• He went on to found "The March of Dimes" Foundation in 1938. This became, by a wide margin, the largest charity in American history. From 1938 through the development of the Salk vaccine in 1955, the foundation spent $233 million on polio patient care, which led to more than 80 percent of U.S. polio patients' receiving significant foundation aid. It is still active today, funding research and treatment for a wide variety of childhood illnesses and birth defects.
The March of Dimes is an important part of Roosevelt's legacy, and would never have existed in its present form had he not been diagnosed with Polio. To posthumously diagnose the man with another disease is to treat him as merely as a medical case and to ignore his humanity.
|Posted on October 22, 2014 at 6:10 PM||comments (0)|
I'd always thought that none of my relatives served in World War 1. But that's because I was thinking about young men, and the sacrifices they made. But I've started to read "Daughters of Mars" by Thomas Kenneally, which tells the story of two sisters - Naomi and Sally Durrance - who were brought up on a remote dairy farm in New South Wales and, when they were in their early twenties, joined the war effort as nurses; first of all at Gallipoli and then at the Battle of the Somme.
Reading this book made me remember that I had a relative who played some role in the health services during the war. I'll tell you Great Aunt Ethel's story a bit later.
Now, I'm less than half way through Kenneally's long, epic and gripping book. It's 1915, and so far Naomi and Sally have sailed on a hospital ship -the Archimedes - from Melbourne to Alexandria. The early days of their war are easy. All they have to do is to treat young Australian men who've caught venereal diseases in the brothels of Cairo, and their leisure time is taken up with tea dances and visits to Greek, Roman and Egyptian remains, in the company of Australian and British Officers, many of whom have studied classical civilizations at Oxford or Cambridge, and wanted impress these naive young women with their knowledge. The girls' experience of the world is already far broader than it would have been had they stayed on the farm.
Then the Archimedes makes its first voyage to Gallipoli. They've taken what was thought to be three months worth of morphine and bandages with them but supplies begin to run out after twenty four hours. Aboard the ship, country doctors are asked to perform major surgery of the kind they've only read about in journals in inadequate conditions. Kenneally's highly detailed and sometimes quite technical description of some of the injuries turns the stomach.
On the Archimedes' second voyage to Gallipoli the ship is torpedoed and the main protagonists have to take to the lifeboats - if there is room - or cling alongside while treading water if there isn't. This scene is depicted over forty highly turbulent, descriptive and emotional pages. The main characters are eventually rescued by the French navy and taken to a British Hospital on the Island of Lemnos to recuperate.
And that's as far as I've got - 167 out of 519 pages. But I know from the reviews and the cover blurb that the two sisters will eventually serve at the Battle of Somme, and they may or may not find love, and that some relationships will probably be terminated by sudden death. This book has prompted me to find out more about my mother's aunt Ethel - her mother's sister. So I googled "Ethel Bridgeman World War 1" and immediately got the result I was looking for.
Ethel was sixty-two in the year of my birth and she died when I was thirteen. A Londoner by birth, she lived in Edinburgh with her husband Sandy Stevenson and they had no children. I've always known that they had met during the Great War, and I think that Sandy may have been quite a lot younger than Ethel, who was twenty-nine when she became a Red Cross Volunteer. Family folklore says that they met when she was nursing him, and that she had continued to nurse him - whether he needed it or not - throughout their long marriage. I recall my Mother telling me that she had visited them at home in Edinburgh when she was a young woman, and had seen Ethel waiting hand and foot on her husband. "She used to blow on his soup to cool it" she said.
There's nobody around to ask any more, but could it be that Sandy's experiences in France had damaged him to such an extent that he couldn't function without this sort of attention? He came to our house only once after Ethel died, and was clearly totally disorientated and incapable of looking after himself without her. He died only a few months after Ethel.
Ethel and Sandy always made an annual trip by train to London, and they would stay with Ethel's sister-in-law Ada in Clapham. And during that trip the three of them would always come to afternoon tea with our family in North London. Ada was very old and very deaf and used an ear trumpet which both fascinated and horrified me as a small boy. It didn't seem to do very much for her hearing, as when she was in the house everybody had to shout very loudly to make her understand. She was , by far, the dominant personality of the three of them.
Ada was also very wealthy, unlike most members of my extended family. My Dad knew Ada years before he met my Mum because in the 1930s she used to knock on doors on the street where he lived to collect debts. She was a Great War widow who had, after her husband was killed, taken over the running of his family's business, which was that of a "Tally Man" - a firm that sold cheap clothes and household goods on credit to working class people on the 'never never', or hire purchase; and visited each household at the same time each week to collect the payments of just a few pennies or shillings. At some time after World War 2 she'd sold the business to Freemans of London, a public company that operated a mail-order catalogue business, and she was a substantial shareholder in Freemans. My mother bought from the Freemans Catalogue and so did many of our neighbours. Ada had no children , and when she died she left my parents a small legacy - £250. When they received this cheque they opened their first bank account. They were by then in their sixties.
But back to Ethel. I only dimly remember her from these childhood visits because of Ada's dominant personality - when Ada was in the room it was difficult for anybody else to get a word in edgeways and everything had to be repeated loudly several times before Ada got the gist. Ethel was one of over 90,000 people who volunteered for the British Red Cross during the conflict. She joined one of the Voluntary Aid Detachments (VADs), which were attached either to the Red Cross, the St Johns' or the Territorial Forces. The Detachments were intended to be used for home defence only, but in the event they served in France, Belgium, Gallipoli and Mesopotamia. Each women's detachment consisted of a Commandant (either male or female), a Lady Superintendent (preferably a trained nurse) and 20 women (four of whom had to be trained cooks).
Twenty-nine year old Ethel joined her VAD in May 1916, and her first position was that of a lift attendant at the King George Military Hospital in Stamford Street, Waterloo. Reputedly the largest hospital in the United Kingdom, the King George Hospital was a converted warehouse that had 1650 beds. The convoys of wounded men were brought by boat train to Waterloo Station, and then taken to the hospital through tunnels which were built as an integral part of the warehouse. The tunnels enabled badly wounded men to be conveyed to the Hospital out of sight of the public, so as not to damage civilian morale. Perhaps that's when Ethel and Sandy first saw each other; maybe she brought this wounded man up from the tunnels in her lift?
The Red Cross and the St Johns' equipped the wards, operating theatres, dispensaries, the chapel, day rooms for the patients and sleeping quarters for the staff, all paid for by public donation. The British Farmers' Red Cross Fund donated £4,000 to purchase equipment for the operating theatres and the X-ray Department. There were 149 doctors, a Matron, 3 Principal Sisters, 10 Senior Sisters, 37 Sisters, 228 Staff Nurses and 80 female orderlies, including of course my Aunt Ethel.
On the 29th August 1919, just over eight months after the War had technically ended, Ethel was transferred to a "Casualty Clearing Station" in France. Her service record doesn't say where in France this was. There were over thirty such stations, which were generally located on or near railway lines, to facilitate movement of casualties from the battlefield and on to the hospitals. The job of the station was to treat a man sufficiently for his return to duty or to enable him to be evacuated to another hospital. The Wikipedia entry for this topic says that the station "was not a place for a long-term stay", but this cannot actually have been the case if Ethel was still working at such a centre so long after the end of hostilities.
Ethel was finally discharged on 16th March 1920, Her role was then a storekeeper. She married Sandy in her home town of Wandsworth in 1924 when she was thirty eight and went to live with him in Edinburgh. She died in 1962. This is her service record.
What a pity that the young boy she took afternoon tea with every summer holiday never asked her or Sandy more about their experiences. But those who served in the Great war became taciturn, they probably wouldn't have wanted to tell me even if I'd had the forethought to ask.
Finally, here's an image of Thomas Kenneally's great book that stated me on the on the quest to discover Ethel and Sandy: